The project’s main goal was to confront the homogenized (or general) architectural landscape that I believe has dominated since the industrial revolution. This investigation is rooted in the belief that buildings should always relate to their context, drawing from both historical and contemporary insights. The Arriere Garde project emerges as a testament to this philosophy, establishing connections on three scale levels: urbanistic, architectural, and technical.

Urbanistically, the masterplan is tries to get rid of the rigid boundaries, creating a seamless integration with the existing neighbourhood. The building is strategically positioned to act as a bridge between the current neighbourhood and newly designed masterplan. By incorporating a diverse program - a train station alongside community-focused functions such as a library, co-working spaces, and a coffee bar - the design reinforces its role as a connector: connecting the new with the past.

Architecturally, the project resonates with the local context through its massing and materiality. It captures the essence of its surroundings, reinterpreting architectural details in a contemporary manner. This dialogue between the old and the new ensures that the building is not an isolated object but a harmonious addition to its environment. The design speaks the language of its local context, yet with a modern articulation that respects and revitalizes local traditions.

Technically, the use of local materials is a vital part of the project. Historically, buildings have been tailored to their environments through the use of indigenous materials and construction techniques. The Arriere Garde project adheres to this tradition, integrating passive design principles to achieve a sustainable building. The choice of materials, coupled with natural ventilation and the use of high thermal mass materials, reflects a commitment to both environmental responsiveness and contextual adaptation.

In conclusion, the project champions the idea that architecture must transcend mere function and form to engage deeply with its context. By weaving together local architectural traditions, vernacular history, and contemporary innovations, the Arriere Garde project exemplifies a 'contemporary vernacular.' This approach underscores the importance of designing buildings that are not only aesthetically pleasing but also contextually rooted, fostering a sense of place and community. Through this lens, the project offers a solution to the homogenized architectural landscape, advocating for a future where buildings are intrinsically connected to their context, creating environments that are both meaningful and enduring.

Mismatched architecture is defined as architecture whose current situations don’t match their original settings during transformation. This mismatch manifests itself as a mismatch in form, function, and context, among others. Mismatched architecture is a self-adapting process of architecture and society, it gives us an insight into the collective memories of the neighborhood.

Architecture and landscape in the urban environment are often the results of a mixture of economic, political, and social demands, and they sometimes grow into mismatched architecture when the demands gradually change over time. Sometimes mismatched architecture brings chaos and confusion, but “…in exchange, it contains a quality of freedom for production” (Kaijima, Kuroda, Tsukamoto, 2006). They are mismatched but fit.

For architectural designs, the question is, how to use the mismatched characteristics to create productive spaces?

The project is situated in the neighbourhood of Bressoux in the post-industrial city Liege in Belgium. Bressoux felt at first as a deserted place. It gave the impression that only people live here because of financial necessity. The people with better jobs move away, the ones left behind seem forgotten and neglected. “The winner takes it all!” is the attitude of our economy (Brugmans, 2016, p.6). What is left for the ‘others’? Are they the ones hidden behind the facades of Bressoux? What will their future perspective be?
In order to explore the lives of the people in multicultural neighbourhoods like Bressoux, a common ground had to be found. I believe it is food. And to be more specific: bread. Bread is used in almost every cuisine of every culture. Therefore the research follows the journey of bread trough time, space and the everyday life: Daily bread. The historical and social-cultural research of the production and consumption of bread, also led to an extended research on milling and (communal) wood-fire ovens. The research gave awareness of the importance of how we deal with our primary needs of food, warmth and community. They should be more visible and more directly involved in our daily lives.
The conclusion of the research is translated into the design. The design contains a communal oven within a living room for the neighbourhood, connected with a mill factory using the traditional stone-milling. This is situated in an existing building and surrounded by seven new-built apartment blocks. The apartment blocks consists of three or five apartments, all connected with the chimney of a tile-stove which provides most of the warmth and is located on the ground floor in a shared space.
The mill gives the neighbourhood the opportunity to buy local produces and healthy flour and the communal wood-fire oven a place to make their own bread or other food and share it with their neighbours in a warm space. The housing is based on the principle of sharing the responsibility of their warmth, which creates communities within the building block. So this project tries to give people an alternative future perspective in the winner-takes it all society by reconsidering the way we handle our primary needs. In order to hopefully improve the lives of ‘those others’, simply by giving back the control of their food, warmth and community.

This project was concerned with the design of a homeless shelter in the neighbourhood of Bressoux, Liège. Positions of three architects regarding the attitude of Weiterbauen are explored and expressed through an essay, ultimately shaping a personal architectural position towards the social and architectural embedding of a homeless shelter in the neighbourhood.

A research on the atmosphere of Maastricht, applied to the design of Art Institute Frans

In an attempt to unpack Antwerp as intimate city, distill the principles of its public exteriors and interiors and shed light into how a government building can unlock its civic qualities, the Stadsloket 't Noord is proposed, a public building in timber.

This project seeks to give new purpose to the Centraal Beheer building in Apeldoorn, designed by Herman Hertzberger, by introducing a new Montessori Education program, containing a Primary School and Secondary School. Through interventions this design aims to redefine the spatial structure of Centraal Beheer, to create a well functioning environment for the new program, while keeping in mind the ideology of Herman Hertzberger. By giving the need of purpose the highest standard within the Heritage framework I investigate the adaptability of this Structuralist icon to contemporary demands on both spatial and technological development. This means necessary changes to the building are made, however, the changes aim to incorporate the ideology of Herman Hertzberger regarding the Centraal Beheer building.