This master thesis aims to raise a discussion about the new Flemish Museum of Contemporary Art in Antwerp. The competition brief for the redevelopment of the M HKA, published by the Flemish Community in 2019, is taken as a key reference point. The brief proposes a move into a new, purpose-built museum on the site of a courthouse building that will be demolished, two blocks down from the current site, as an urban focal point for the newly built monumental linear public park in Antwerp South. Within this urban plan, the existing museum would most likely be demolished to make room for a new housing development.

However, the political and financial motivations behind the move to the new location, which is, according to the brief, based on the site’s iconic potential, can be questioned. Especially since M HKA’s anti-institutional history is intrinsically connected to the existing museum. During the 1980s, a 19th-century grain warehouse was squatted by a group of Belgian artists as an alternative gallery space and was converted to a museum to accommodate M HKA in 1987. Instead of building a new museum on the proposed site, this project proposes a museum building that continues to grow from the existing museum and extends its industrial character. The existing museum is placed in relation to both the large industrial structures, documented by the Bechers, and the cathedral, which can all be characterized as large structures that exist out of different parts that have developed over time and are able to accommodate different alterations by either adding or removing parts. The construction of the proposal is spread out over different building phases so that the museum can be kept open during the construction. The proposed museum of contemporary art is not a static institution but an anti-monument that is able to respond to changing societal, political, financial, or institutional changes, in which the possibility of incompletion becomes part of the building.