Moving Atmospheres explores the intricate relationship between spatial design and human experience, advocating for an embodied approach to architectural practice. Through a phenomenological lens and experimental approach using personal experiences, the study investigates the nexus of emotion, movement, and spatial perception. Utilizing intuitive movement, exemplified by the practice of improvisational dance, the research aims to uncover insights into the creation of atmospheres within architectural settings. Methodologically, the study employs a structured approach termed the Movement Lab, involving five steps how one could observe, document, translate, interpret, analyse and reflect on the relation between spatial atmospheres and its effect on the body through emotion and behaviour, in this case studied through a zoom onto intuitive movement. In this process, architectural research is conducted using filmmaking, photography and (poetic) writing, conveying the relation between body and space.

Analysis of data collected from diverse environments reveals how spatial qualities shape emotional responses and bodily movements. The findings of this study underscore the complex interplay between spatial atmospheres, emotion, and movement characteristics, highlighting the potential of intuitive movement as a tool for architects to understand and manipulate architectural atmospheres, facilitating the design of immersive and emotionally resonant spaces. By emphasizing the importance of bodily experience in architectural design, the study advocates for a paradigm shift towards more responsive built environments.

Overall, this research contributes valuable insights into the embodied dimensions of architectural practice, encouraging architects to engage with the human body as a central tool for creating meaningful spatial experiences.