With the help of information technology, people can not only store the massive knowledge formed over thousands of years in various network databases but also present the process of knowledge production in different spaces at the same time. At this time, education will present a new ecology that can be learned everywhere and all the time. The physical boundaries of peer communication, work, and learning become blurred or even disappear completely, and the fluidity of educational space arises at a historic moment. It can be seen from recent experience that the traditional model of space and ownership (space owned by colleges and departments) is changing to a more diversified and flexible shared space. Success depends not only on the type of space provided but also on how to connect different types of space through circulation and create interactive activities.

This project, Google Computer Science Faculty, based on Google's plans and ambitions to enter the higher education market, tries to create fluidity in the next generation of educational spaces by focusing on the design of circulation areas.

The Messe Performance Cube, complements the cultural heart of the Messe Berlin exhibition grounds, situated next to one of the busiest transportation nodes of Berlin. It is a centre for a wide range of performing arts and stands among the global frontrunners in the field of innovative theatre experience. The Cube transcends the traditional organization of theatre buildings, adopting a new approach in its design and layout. The design pushes the boundaries of performance spaces, resulting in a robust structure that can accommodate countless forms of performances. Due to its versatile design, the Messe Performance Cube extends beyond the confines of music, theatre or spectacle. It can also serve as a space for exhibitions, events, festivals and studios and can be played by artists and curators as an everchanging instrument.

Euroterminal Berlin is an international high-speed terminal located in Südkreuz, Berlin. The design explores the impact of digitalization on the typology of train stations and subsequently its users.

Since the dawn of civilization, the architecture of power has been a means to symbolize societies´ beliefs. The parliament building is itself a great example. It has been used to project to nations images, associations, messages, and ideals. These buildings often embody a sense of oppression, intimidation, security, and protection. The Reichstag building in Berlin symbolized the German Unification in 1871; the National Congress in Brasilia symbolized the country´s economic
progress in the 1950s; the European Parliament in Strasbourg symbolized the openness and democracy of the newly created European Union in the 1990s. If we believe that our buildings shape us - as Winston Churchill once said - what parliament are we seeking now? What comes next?

The ambition of this project is to reflect on the powerful symbolism of the parliament as a tool for an emergent and extremely relevant global challenge: sustainability.