Exploring visual language and typologies in Dutch midrise residential neighbourhoods

Abstract

Dutch residential neighbourhoods built after 1965 (Post 65) are characterised by a varied range of housing and living environments. As a reaction to the post-war Reconstruction period, architects and urban designers focussed on quality of life and identification with the living environment. Midrise housing was the compromise between high-rise and low-rise, combining quality and efficiency. Today, Post 65 residential neighbourhoods are not recognised as valuable architecture or cultural heritage. Although academic interest in Post 65 architecture is increasing, attributes of midrise typologies are understudied. Research is necessary to document and assess them, to inform stakeholders and contribute to decision making in renovation processes. The central question in this paper is: What are the urban and architectural attributes (tangible and intangible) of Dutch midrise residential neighbourhoods built after 1965? The paper discusses a comparative analysis of five residential midrise examples, focussing on building typology and visual language. The research applied mixed methods and integrates fieldwork, archival and literature research and uses 2D-matrices, juxtaposing urban and architectural attributes. Results show a variety in terms of typology and use of visual language. Two spatial organisational concepts are identified. A 'snake' shapes the urban space, and creates a front. It refers to a formal urban model in which the urban form is the starting point and the development of the building block a means to that end. A 'mesh' arranges housing units and urban space in a sprawling structure, in which a human scale living environment is the starting point. Regarding visual language, the projects show referencing to various architectural movements. This pluralism applies to the 'collection' of Post 65 midrise complexes but also to single neighbourhoods. The urban and architectural attributes are diverse, with diversity as the common denominator. Following Jencks' definitions, the Post 65 midrise neighbourhoods can therefore be regarded as Post-Modern.