This workshop aims to generate an interdisciplinary research agenda for digital touch communication that effectively integrates technological progress with robust investigations of the social nature and significance of digital touch. State-of-the-art touch-based technologies have the potential to supplement, extend or reconfigure how people communicate through reshaping existing touch practices and generating new capacities. Their possible impact on interpersonal intimacy, wellbeing, cultural norms, ways of knowing and power relations is far-reaching and under-researched. Few emerging devices and applications are embedded into everyday touch practices, limiting empirical exploration of the implications of digital touch technologies in everyday communication. There is, thus, a real need for methodological innovation and interdisciplinary collaboration to critically examine digital touch communication across social contexts and technological domains, to better understand the social consequences of how touch is digitally remediated. This agenda-setting workshop will bring together HCI researchers and designers with colleagues from sociology, media & communications, arts & design to address key research challenges and build the foundations for future collaborations.

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This position paper builds on textiles as a metaphor to explore the experiential knowledge observed through embodied design processes. In order to build understanding, we have tailored our tools and methods to support our explorations so far. As literature shows articulating our sensory experiences with materials is a challenging task. In order to support our investigations, in this paper we present a reflection on our diverse approaches to introduce tools that support us in interrogating how designers relate with materials, particularly textiles, and use their sensorial body to experience them during the creative process. We build on our previous research that identified relevant embodied process to textile selection, and reflect on how we have explored how sensing technology can augment and empower each of these phases, to support the design process. We conclude by discussing the learning outcomes from introducing such tools, in order to reflect on the future of our research. @en

‘Super technology is going to ask for super tactility’ (Lidewii Edelkoort). Exploring this statement, this chapter reflects on the disconnection between digital fashion tools that lack sensory feedback and the critical role of designers’ embodied experience for their practice. In order to support this discussion, additional literature is brought in, which shows that in dance bodily engagement is crucial for supporting and enhancing the creative process. This is done to explore aspects of mediation and embodiment further, and to propose a research agenda for the investigation of textile experience.@en