This study examines the relationship between design elements and how visitors perceive
exhibitions to assess how architectural interior design influences visitor engagement in
museums. In light of the post-pandemic spike in museum visits, the study attempts to
close the information gap regarding the connection between evolving exhibition narratives
and architectural principles for creating immersive spaces.
Through fieldwork and literature reviews, this study investigates the complex relationship
between visitor engagement and architectural design. The theoretical basis highlights
the significance of layout, traffic flow, and how spatial design influences visitor behavior.
The Maritime Museum in Rotterdam and Schoenenkwartier in Waalwijk serve as two
case studies that highlight these concepts by showcasing how to integrate additional
functions, achieve a balance between structure and freedom, and arrange interactive
features effectively.
The research concludes that architectural interior design significantly influences visitor
engagement through thoughtful layouts and varied installations. Achieving success
requires establishing a balance between direction and liberty, catering to a variety of
audiences, and integrating digital content into the exhibition. The outcomes offer architects
and curators beneficial insights into designing impactful museum environments.

Brutalist buildings have, until recently, been loved by few. As a result, many Brutalist buildings have fallen into disrepair, and some have even been demolished. Nowadays, many suggestions are made about how these brutalist buildings can be restored and future-proofed. This research looks at Brutalist buildings that have been transformed since their construction to ensure their survival. This will provide the inspiration needed for future renovations of brutalist buildings.

The main research question of this thesis is: “How did brutalist buildings adapt after being built over time?”. Using the Aula of the TU Delft as the case study project, this question is answered. The Aula by Van den Broek en Bakema, a Dutch architecture firm, since its completion has seen two major renovations. Once in 1991 by Evert Kleijer, and later by Mecanoo in 1998. These two alterations vary in size, impact, and success, which makes it a perfect project to analyse.

These alterations have had an impact on the brutalist essence of the building. The first one altered the exterior view, but through the usage of similar materials, and gravitating towards original design ideas, had minimal negative impact on the brutalist feeling of the Aula. The second alteration, on the other hand, destroyed key design concepts in the interior whilst also clashing with the original materials, shapes, and construction methods and caused major damage to the brutalist essence of the building. The research highlights the importance of respecting the original design concepts and the essence of a building when making alterations.